Paper and Copyists in Viennese Opera Scores  


Watermarks

Paper      P22B      
Watermark3 crescents
Selenometrie in mmxy: 20, xz: 78
Countermarklily / FA / C
Date1763 - 1765
SourceA Wn Mus.Hs._18081_1_fol84v83r86v85r
Paper millFratelli Andreoli e compagno, Toscolano
CommentaryThere are slight variants of P22 in the width of the letter A in both countermarks and in the positioning of the right crescent in the mark of P22A.
watermark countermark

Sheet P22B


Twinmark

PaperP22A
Watermark3 crescents
Selenometrie in mmxy: 23, xz: 81
Countermarklily / FA / C
SourceA Wn Mus.Hs._18081_1_fol37v38r35v36r
twin watermark twin countermark

Sheet P22A


Copyists and works

Copyists using paper P22WK60B, WK60G, WK68H, WK71K, WK71L, WK71P, WK72D, WK73F
Scores written on paper P22Blaise_18766, Galuppi_18067, Gassmann_18081, Gluck_17782, Hasse_17288, Monsigny_17893, Pergolesi_18034, Philidor_17896, Philidor_17897, Piccinni_10063, Piccinni_17812, Piccinni_30.3.28–29, Scarlatti_17849, Scolari_18042, Traetta_10008, Traetta_17853

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Forschungsprojekt: Papier und Kopisten in Wiener Opernpartituren 1760-1774 (Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musikwissenschaft und Interpretationsforschung A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu

A dataset of the Bernstein Project on watermarks and paper expertise

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